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Cover Re-Release for Cheryl Rainfield’s STAINED

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Cheryl Rainfield, young adult author and powerhouse behind the YASaves campaign, has re-released her latest YA title STAINED with a new cover! Take a look, then read the excerpt below:

STAINED_New-Cover-final-med

“I touch my fingers against the smooth skin of my cheek. I can’t feel where the purple begins and ends, aside from it being slightly warmer, but I know exactly where it is—it spreads out from the right side of my nose, almost to my ear, and comes down to my bottom lip in a lopsided triangle.

“I know I’m lucky; it could be worse. The port-wine stain just misses my forehead and eye, which means I don’t have glaucoma, seizures, and brain abnormalities. But I still feel like I’m from another planet. Maybe that’s why I love comics so much. Superheroes are always outsiders, and most had difficult childhoods. They feel like my people. I finger comb my hair over the right side of my face. I know from long practice by the weight of my hair and the angle it falls, that it’s covering my cheek enough to help me pass. I don’t need a mirror to know. Not that I own one.”

STAINED is available now from all major book retailers!

Blog Tours – Could Be Awesome, Could Be Not

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Reblogged from the Authors Helping Authors blog:

So many of my clients have reached out to me wanting a blog tour, but all too often I end up cringing when I hear what it is they want. If you’re not familiar, a blog tour is a really interesting concept in which you as the author “appear” on several different blogs and talk about your book. It’s organized into a tour because it has defined start and end dates, which helps with the promotion and the generating of the all-important buzz.

There are a couple of inherent problems with a blog tour.

First, they’re not new anymore. Everybody’s doing it. Even worse, tons of people have decided that just because they know how to work Facebook, they’re now suddenly qualified to create a blog tour AND charge money for the service. I’ve seen companies spring up overnight with flashy little websites that charge hundreds of dollars to get all of their blogger friends to let you write a blog post to pimp your book.

Second, there’s no very concrete data on how good an investment this is going to be. There are so many variables that come into play, such as the genre you write and the quality or pricing of your book, that it’s impossible to say, “Blog tours are the best promotional tool EVER!” or “Blog tours are the biggest waste of time and money EVER.” It’s impossible to say whether or not investing your time and money in this promo concept will pay off in terms of book sales.

Third, how can you be sure that the blogs you’re being hosted on actually have a readership? If you’re scheduled on ten different blogs whose only traffic is the blogger and whose only shares are coming from the account she made for her cat, you’re not going to sell any books or build your audience.

Finally, the biggest problem is they are so easy to screw up. As an author, you are relying on other people to post the writings that you send them, and sometimes they just can’t post them for one reason or another. I’ve also clicked a link that some author tweeted, announcing that today’s stop on his blog tour was at such-and-such a website, and was HORRIFIED to see that his political spy thriller novel was being featured on a website whose background was a deep blue starry field filled with fairies and unicorns. The unicorn crowd who pops over to that particular website doesn’t strike me as huge Alex Cross fans. I may be judging here, but that’s just the feeling I got.

So, does that mean we should all shun blog tours? Of course not. But it does mean you have your homework to do.

First, there are lovely people out there who really just care a lot about indie authors, and those people will be happy to help you find book reviewers or people to let you talk about your book. For free, even.

Second, if you are paying a company to set this up, ask for the concrete numbers of book sales or audience shares that they have generated from the last three tours they set up.

Third, find out who these blogs are before you pay anything. Make sure they are specific to your genre and that they have a genuine audience who shares the posts, not a cat walking across a keyboard who accidentally hits the Share button.

The most important thing you can do is to remember that a blog tour is NOT a way to shove your book in people’s faces and get them to click the BUY button. It is a way to connect with readers, to share a little bit more about yourself and your craft, and to build connections within the publishing industry. And make sure that you use your tour to reciprocate, and to share the bloggers’ generosity in hosting you by supporting them and their readers.

Paying to Publish–Vanity, or INSANITY?

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Reprinted from the Authors Helping Authors blog:

While all the news about self-publishing and indie publishing makes it out to be some new wave-of-the-future option for authors, self-publishing really isn’t a new concept. Sure, the stigma has been mostly torn away in recent years, but even decades ago an author with a completed manuscript and a healthy checkbook could get published.

Here was the problem: notice that I didn’t say a “good “completed manuscript. It just had to be finished. And even that was not a deal breaker.

Vanity presses opened their doors many years ago to cater to authors who could not get published otherwise. Their business model consisted of taking your money, turning your typewritten pages into a print edition, then charging you outrageous amounts of money for copies of your own book, which YOU were now responsible for shipping, storing, selling, marketing, more shipping, more storing, and ultimately giving away to all of your friends and family members for Christmas.

Now that self-publishing and print-on-demand publishing have come along, guess what? Those vanity presses didn’t go anywhere. They’re still sitting there, taking authors’ money and often giving them a box of poorly edited doorstops in return.

“But hold on there a minute, missy!” you might be thinking. “There are some reputable companies who help authors in that way!”

Of course there are. And I don’t want to sound for even a second like there’s not a reputable non-thief, non-charlatan vanity press out there. I’m sure there are a handful. And those companies actually do serve a purpose, as their model is to support authors who don’t have the knowledge or know-how—or heck, even the time—to format and publish their books on any of the awesome print-on-demand platforms out there.

But there are some things you HAVE to be aware of when considering a vanity press:

  1. Who else has used this company? Ask for a list of names of authors and books, and check out those books online. Read reviews of those books. Are there awful comments about the horrible formatting or the lack of editing?
  2. DEMAND that the vanity press NOT list itself as your “publisher,” and here’s why. They are not fooling anyone in the industry into believing that your book was picked up by a publishing house, AND they have total access and control to your sales page. YOU will not be the person given access to your sales report and you will instead rely on your “publisher” to tell you how many copies you sold.
  3. NEVER work with a company who is going to charge you thousands of dollars up front for their services AND take a percentage of your royalties. They already got paid! YOU paid them! WHY are they also taking your royalties?
  4. Check out how much YOUR copies of YOUR book will cost you. Believe it or not, there is sometimes a barely-better-than-retail cost to the author of the book. It’s understandable that the company would make a profit on the printing of your book; they have bills to pay, too, after all. But it is inexcusable that an author pay sometimes only $2 less than a reader would pay for a copy of the book.
  5. Find out BEFORE you sign WHO is going to work on your book. It’s easier than ever for someone to hang out a shingle and call himself a publisher, all while telling you that his “team of professionals” will work on your book. That could mean that he has his mom edit it and his cousin draw a picture for the cover. Ask for names of these professionals in advance and check them out online.
  6. READ YOUR CONTRACT.
  7. READ YOUR CONTRACT. That had to be said twice. If you don’t know what it states, how do you know if the vanity press broke it? Did you get everything you paid for? Were you LIED TO and told that he owns the rights to your book? Or did you really and truly just sign away the rights to your book? READ and know it before you sign.

Upfront service providers should exist to help authors with the creation of their actual books, but they aren’t supposed to be allowed to stay in business if they’re just out for a quick buck. Look them up before you sign anything, and watch out for yourself.

Balancing the Fine Line of Your Genre

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Reprinted from the Authors Helping Authors blog:

A really, really great thing has happened, mostly thanks to the ease and lack of risk involved in digital publishing: the genres are blending and blurring into whole new, never-before-seen categories within their rigid guidelines.

Once upon a time, genres not only had strict conventions for storyline, subject matter, there were even acceptable limits for word count. This was back when any book that was lucky enough to get published had to first run the gauntlet of agents, acquisitions editors, content editors, editorial boards, even the advertising and PR guys within the publishing house. Basically, if it was too risky in terms of content, it was too risky to invest in publishing.

Thanks to the boom in self-publishing and digital publishing, authors and publishers are somewhat more free to experiment, to take risks, and to encourage whole new readerships with unconventional books. The age-old romance novel with its tidy resolution has given way to the cliffhanger ending trilogies. The young adult novel, that once used to be no more inappropriate than Meg getting her period in Judy Blume’s Are You There God? It’s Me, Margaret, has now given birth to a whole new genre called New Adult, which finally addresses some of the very real mature topics that affect YA readers. Science Fiction has finally been broken down into a wide array of categories; now, you don’t find books about space aliens attacking Moon colonists plopped on the bookstore shelf right next to a book that is mostly written in Elvish.

But as an author, how do you categorize your work on a retailer’s sales page if it’s a little bit of everything? What do you do if it’s a New Adult Paranormal Romance Middle Earth Fantasy Mystery?

Since you only get so many keywords to work with, decide which of those categories is the absolute best fit for your book. If there are trace elements of mystery to your book, you still might not want to list it next to the latest cloak-and-dagger spy book. If the only thing about it that would make it New Adult is the fact that two of the trolls get caught with their pants down behind some sort of glowing tree, you probably don’t have to worry about listing it as New Adult.

Your categories and keywords when you go to list your book must be aimed at your broadest target audience. At the same time, if you are querying your novel to agents or publishers, the same rule is still in effect: target your agent search to the most appropriate agent for your work based on its most prevalent genre.

The most important thing you can do is make sure that your book actually NEEDS to be in all of those genres at once. If your book could be listed in fifteen different genres on the bookstore shelves, it MIGHT (oh stop it, I said MIGHT) be a little muddled, rambling and confusing. While the publishing industry may have thrown open the doors to new types of books, the readers still have some level of expectation from what they want to read in their favorite genres.

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